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Now that we have covered The
Pool Algorithm philosophy in its entirety for
this article I would like to discuss the Break
Shot philosophy. There are two (2) important
parts to a successful break shot, first and most
obvious is that we need to make a ball, and
lastly we need to have an open shot afterwards.
Before we get into some of the details of this
break shot philosophy I need to give credit
where credit is due. This philosophy comes from
the advice of the late Gary ìFaceî McVay.
Garyís knowledge came from an empirical basis
and I will compliment his experience with my
analysis.
Gary was one of our areaís good players. If
there was action to be found Face was not far
away. Like a bulldog he wasnít afraid of any
one or any game. Face would even find himself
playing games, which were not his forte. You
could be assured that over time his perseverance
and drive would make him an accomplished player
in these games as well. He was a fierce
competitor, which I would never have the
opportunity to defeat. He earned my respect and
on one day in Starchers Billiards in Akron, Ohio
he would share his philosophy of breaking which
I will now share with you.
Please refer to the plan view of
the pool table provided. At the head of the
table you will notice three (3) Cue ball start
positions. These positions are not shown to be
precise positions, but to illustrate that your
Cue ball placement can be straight on, left, or
right of center. In essence, you can place your
Cue ball any where behind the head string and
the only change associated with your placement
will be the contact point with the head ball of
the rack.
On the plan view you will also
notice a desired Cue ball end position located
in the center of the table. You will need to
aim at the appropriate point on the head ball of
the rack to get the Cue ball to rebound toward
the center of the table. Now taking a look at
elevation View A - A shows the actual hopping
action of the cue ball from the head ball of the
rack toward the Cue ball end position.
Pocketing a ball along with gaining this
position will maximize your chances of making
your first shot following the break.
Lets analyze why this hopping
action takes place. Place a Cue ball on the
table and just tap it. It will begin to roll,
right? It rolls because of the friction
imparted by the cloth of the table on the bottom
of the Cue ball. When we strike the Cue ball in
the direction of the rack the English or spin of
the Cue is that of a follow shot.
The level of our cue stick also
plays a roll in this break shot. Where we try
to keep our cue level in most shots we play,
this break requires a slight incline of our cue
stick. The combination of the power delivered
to the shot with this slightly downward impact
of our cue stick will actually cause the cue
ball to leave the surface of the table on the
way to the head ball of the rack.
At the time of impact the Cue ball will still
have the over spin while striking the head ball
of the rack slightly above center which creates
the hopping action. You will notice that when
this break is executed successfully the Cue
ballís return to the table will be similar to a
golf ballís action when it hits the green. This
checking up of the Cue ball is a result of the
spin still left on the ball while it grabs at
the tableís cloth.
The power for the break comes from your ability
to accelerate the cue stick so that the maximum
velocity is reached at the time of impact with
the Cue ball. The acceleration of the cue stick
is achieved from the orchestration of muscles
throughout your body. From your leading foot
which steps into the shot, to your upper body,
which lunges toward the table, and the stroke of
your arm which through all the movement must
maintain your aim.
The break is the most complex shot in the game
and requires regular practice to develop and
improve your consistency. Understand and master
the concept of the break first while adding
power through an improved stroke over time.
This break philosophy will provide you the
opportunity to draw first blood in your games.
Good luck! And visit Mr. Billiards at
www.ThePlayersLeague.com Do you have any
thing that you would like Mr. Billiards to write
about? E-mail your subject to
theplayersleague@home.com
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